Ah, Venice. The name alone elicits elegant images of gently winding canals, timeless architecture, scenic bridges, intoxicating views, and the tease of romance. While all of this was as true in the 16th century as it is today, Doug Adcock paints a somewhat more beguiling picture of a trip to illustrious Venice.
Edward Hunter is an honorable man who always seems to find himself struggling to balance loyalty to his friends and family with that of the church and country. An influential man tasks Edward with keeping an eye on Philip Sydney, who is rumored to be fraternizing with some Catholic expatriates. The alleged behaviour is scandalous if true, but as a dear friend, Hunter is less concerned with the man’s religious associations than he is with Sydney’s well being and happiness. Upon arriving in Venice, it is discovered that Sydney has been kidnapped. Hunter soon realizes that the kidnapping is only the tip of the iceberg and that his very life is in danger. Hunter and his companions have only a short window to discover who is behind their predicament and lay bare a nefarious plot.
A smart and snappy historical fiction, Blood Water turns the notion of refinement and civilized society on its head. While the story is besieged by a considerable cast, these noted historical figures will feel like close friends to those familiar with the annals of the Renaissance period. Through clever storytelling, Adcock accurately captures the dangerous mood of the bubbling religious and political undercurrents. This adventure is packed with action and drama and even boasts a wisp of romance, appealing to a wide audience. An already interesting history is given an exciting and tantalizing makeover in the riveting third installment of an Edward Hunter Spy Adventure, Blood Water.
